Art History Changes Between the Roman Empire and Late Antiquity and Byzantine

(L–R): Artists Amy Sherald, Yayoi Kusama and Georgia O'Keefe. Photo Courtesy: Amy Davis/Baltimore Dominicus/Tribune News Service/Getty Images; Toshifumi Kitamura/AFP/Getty Images; Tony Vaccaro/Getty Images

If you've ever taken an art history grade or spent time in a fine arts museum, chances are you know a lot about the men who "divers" their mediums. As with other subjects, nigh of what we learn about art history today even so centers on white men from Europe and, afterward, the United States. In reality, there are so many more artists of all genders to learn from and appreciate.

Here, we're specifically taking a look at but some of the women who have had lasting impacts on their art forms. From some of the art world'south about iconic pioneers to its nearly unsung heroes, these women artists all had a hand — and, in some cases, still accept a hand — in changing the earth of fine fine art and how nosotros define it.

Laura Wheeler Waring

Laura Wheeler Waring's portraits Anna Washington Derry and Alice Dunbar Nelson. Photos Courtesy: National Portrait Gallery/Wikimedia Eatables

Laura Wheeler Waring was an artist and educator who taught at Cheyney University in Pennsylvania for more than than 30 years. After studying the work of painters like Cézanne and Monet while abroad, she returned to the United states, becoming best known for her portraits of prominent Black Americans, many of which were painted during the Harlem Renaissance.

Cindy Sherman

Two photographs from Cindy Sherman's Untitled Moving-picture show Stills (1977–fourscore). serial. Photos Courtesy: Museum of Modern Art (MoMA)

Photographer Cindy Sherman was office of the Pictures Generation during the 1980s, and is perhaps nearly well known for her serial of Untitled Motion picture Stills (1977–80) — self-portraits in which Sherman "posed in the guises of various generic female person film characters, among them, ingénue, working daughter, vamp, and lone housewife" (via MoMA). In this series, and those that followed, Sherman used photography to question the media's influence over our individual and collective identities.

Yoko Ono

A nonetheless from the performance Cut Piece, 1964, and a motion-picture show of the installation Half-A-Room, 1967, every bit seen at the Museum of Modern Art in New York Metropolis in 2015. Photos Courtesy: Museum of Modern Art (MoMA)

You might first think of Yoko Ono every bit a musician and activist, only she's likewise an achieved performance and conceptual artist. Ono was considered a pioneer in the operation art movement, earning the nickname the "High Priestess of the Happening".

One of her most revered works, Cut Piece, was a performance she first staged in Japan; Ono sat on stage in a nice suit and placed pair of scissors in front end of her, and, in an act of daring vulnerability, invited audience members to come up on stage and cut away pieces of her wear. "Fine art is like breathing for me," Ono has said. "If I don't do it, I start to choke."

Betye Saar

Betye Saar's Black Girl's Window, 1969 (total and detail). Photos Courtesy: Museum of Modern Art (MoMA)

Before becoming a printmaker and activist, Betye Saar studied design and was employed as a social worker. A printmaking constituent changed her entire career trajectory — and, in turn, part of the trajectory of art history.

Saar was part of the Black Arts Movement in the 1970s and, through painting and aggregation, critiqued institutionalized racism and the racist stereotypes white people held toward Black Americans. "To me the fox is to seduce the viewer," Saar has said. "If you tin get the viewer to look at a work of art, then you might be able to give them some sort of message."

Frida Kahlo

People await at Frida Kahlo'south 1939 painting Las Dos Fridas at the Earth Forum of Culture in 2007, which was held in Mexico. Photo Courtesy: Alejandro Acosta/AFP/Getty Images

Information technology's rare to find someone who hasn't at to the lowest degree heard of Frida Kahlo. A self-taught painter from Mexico, she is all-time known for exploring themes similar death and identity through her self-portraits. Kahlo ofttimes used bold, vivid colors to create her symbol-rich works, and was regarded as one of the most influential artists of the Surrealist movement.

Yayoi Kusama

A viewer photographs inside the Aftermath of Obliteration of Eternity room during a preview of the Yayoi Kusama'due south Infinity Mirrors exhibit at the Hirshhorn Museum February 21, 2017 in Washington, D.C. Photo Courtesy: Brendan Smialowski/AFP/Getty Images

Yayoi Kusama started painting at a very young age, but she's also known for her hyper-real sculptures, polka dots, installations, and so much more. Like many of her peers, Kusama embraced the counterculture of the 1960s, employing nudity in much of her work. Today, she continues to create works for her enduring Mirror/Infinity rooms series, which utilise mirrors and lit objects to create a sense of endlessness.

Amy Sherald

Former Get-go Lady Michelle Obama (Fifty) and artist Amy Sherald (R) unveil Mrs. Obama'southward portrait at the Smithsonian's National Portrait Gallery in Washington, D.C. on February 12, 2018. Photograph by Saul Loeb/AFP/Getty Images

Amy Sherald is an American painter and portraitist who depicts Black Americans, oftentimes doing everyday activities — something that became more common in portraiture writ large in the mid-19th century. Odds are that you recognize Sherald'southward work — and her signature grayscale pare tones — as she was the first Black woman to complete a presidential portrait for the Smithsonian'south National Portrait Gallery.

Georgia O'Keeffe

In 1960, Georgia O'Keeffe poses outdoors beside a work from her series, Pelvis Series Cherry With Yellowish in Albuquerque, New Mexico. Photo Courtesy: Tony Vaccaro/Getty Images

Known equally the mother of American modernism, you likely acquaintance Georgia O'Keeffe with her paintings of New United mexican states's landscapes, flowers, skulls, and, just maybe, the skyscrapers of New York City. In the 1920s, she was the start woman painter to gain the respect of the New York art world, all past painting in her unique style.

Adrian Piper

Adrian Piper wins the Gilded Panthera leo for best artist in Okwui Enwezor's biennial exhibition All the World's Futures, part of the 56th Venice Biennale in 2015. Photo Courtesy: Awakening/Getty Images

Adrian Piper became a pioneering minimalist, feminist, and conceptual artist in 1970s New York City. She used her work to question society, identity, and racial politics by demanding the audience to confront truths about themselves. She often challenged people on the streets of New York to guess her race, socio-economic class, and gender — all while dressed as a Black man with a fake mustache and sunglasses, or while wearing compelling statements on her apparel.

Shirin Neshat

Shirin Neshat's poses in front of a photograph in her exhibition Our House Is on Fire at the Robert Rauschenberg Foundation in New York City in 2014. Photo Courtesy: Cem Ozdel/Anadolu Agency/Getty Images

Shirin Neshat left Iran in 1974 to written report art in Los Angeles, California — earlier the Iran Islamic Revolution took place. She is best known for her photography, picture show, and video piece of work, much of which explores the human relationship between Islam's cultural and religious systems and women. Moreover, Neshat's works often create a sense of solidarity and empowerment.

Jenny Holzer

Jenny Holzer standing in front of her installation at the Guggenheim Museum. Photo Courtesy: Marianne Barcellona/Getty Images

As a neo-conceptual artist, Jenny Holzer'southward piece of work focuses on words and ideas, which she puts on advertising billboards, projects onto buildings and adds to electronic displays or neon signs.

These works display phrases that act as meditations on diverse concepts, such as trauma, noesis, and hope. One of her more notable works, I Smell You On My Skin, makes the viewer question what kind of sentiment the sentence conveys.

Rebecca Belmore

Rebecca Belmore's Fringe, 2008. Photo Courtesy: Art Gallery of Ontario (AGO)

Much of Rebecca Belmore's art addresses identity and history — and, in detail, houselessness and the voicelessness of the First Nations People in Canada. As an Anishinaabekwe artist, she works to raise awareness around the prejudice, violence, and attempted erasure of Ethnic North American civilization. In 2005, she was the first Indigenous woman to stand for Canada at the Venice Biennale.

Louise Bourgeois

A person looks at Louise Bourgeois' Spider. Photo Courtesy: Timothy A. Clary/AFP/Getty Images

While a prolific printmaker and painter, Louise Conservative is better known for her installation art and sculptures — like the spider above — which were inspired past her own experiences and memories. Throughout her career, she created revolutionary works during a fourth dimension when abstraction and conceptual art were the primary styles shaping the art world.

Mickalene Thomas

Mickalene Thomas' A Little Sense of taste Outside of Love, 2007. Photo Courtesy: Brooklyn Museum

Heavily influenced past pop civilisation and pop art, Mickalene Thomas ofttimes embellishes her paintings with rhinestones and uses colorful acrylic paints. In her work, Thomas centers Black American women, whom she believes embody power and femininity.

Judy Chicago

Judy Chicago's seminal piece of work The Dinner Party. Photograph Courtesy: Brooklyn Museum

Judy Chicago was 1 of the major figures within the early on Feminist Fine art movement. As exemplified in her iconic piece of work The Dinner Party, her installation pieces often examine the office of women in history and culture — in the 1970s and before. While at California State University in Fresno, Chicago founded the first feminist art program in the United States.

Augusta Savage

Augusta Fell with one of her sculptures in the mid-1930s. Photo Courtesy: Andrew Herman/Archives of American Art/Wikimedia Commons

Augusta Savage was an American sculptor during the Harlem Renaissance who worked toward securing equal rights for Black Americans in the arts. In addition to creating breathtaking sculptures, often of Black folks, Vicious founded the Cruel Studio of Arts and Crafts in Harlem in 1932, and, a few years later, she became the showtime Black American elected to the National Clan of Women Painters and Sculptors in 1934.

Carolee Schneemann

Photo Courtesy: Museum of Modern Art (MoMA)

Known for her provocative performance art practices, Carolee Schneemann is considered the progenitor of "body art". (Only look up her most famous work, Interior Curlicue, and you'll see what we mean.) She used her trunk to examine women's sensuality and liberation from the oppressive aesthetic and social conventions established by our patriarchal club.

Nan Goldin

Nan Goldin'due south Christmas on the Other Side, Boston, 1972. Photo Courtesy: Wikimedia Commons

Famous for her in-the-moment photography, Nan Goldin's piece of work challenges traditional power relations. In add-on to documenting New York City'southward queer subculture postal service-Stonewall, Goldin explored the HIV/AIDS crunch, opioid epidemic, and LGBTQ+ bodies.

Elaine Sturtevant

Warhol'southward Marilyn Monroe (1967) by Elaine Sturtevant. Photo Courtesy: Ben Stanstall/AFP/Getty Images

Does this look like an Andy Warhol to y'all? Well, that'due south the thought! Elaine Sturtevant, who went by her concluding name professionally, was a conceptual creative person known for her inexact replicas — that is, non-quite-right copies of big-proper name artists' work.

Some artists and critics encouraged her efforts, while others became quite aroused. Nonetheless, Sturtevant used her works to explore the concepts of authorship, originality, and the structure of art culture.

Ruth Asawa

Diverse hanging sculptures by Ruth Asawa at the De Young Museum in San Francisco. Photo Courtesy: View Pictures/Universal Images Group/Getty Images

During the 1960s, Ruth Asawa created increasingly circuitous wire sculptures. A San Francisco-based creative person, Asawa's last public commission was the Garden of Remembrance at San Francisco Land University, which was created to recognize Japanese Americans who were interned during Globe War Ii.

Catherine Opie

Catherine Opie attends the 2007 Guggenheim International Gala on Nov eight, 2007 in New York City. Photo Courtesy: Shawn Ehlers/WireImage/Getty Images

Known for her studio, portrait, and landscape photography, Catherine Opie has been a lensman since the age of nine. She uses her photography to examine social norms, and, in doing so, displays various subcultures in formal portraits — but in a way that conveys power and respect past evoking traditional Renaissance portraiture.

micha cárdenas

All the same from Sin Sol (No Sunday) VR game. Photograph Courtesy: micha cárdenas/YouTube

micha cárdenas is an artist, writer, theorist, and assistant professor who won an Impact Award at the Indiecade Festival in 2020 and the Artistic Honour from the Gender Justice League in 2016. She believes pedagogy is the path to liberation and uses VR and fine art to address global problems such as racism, gendered violence, and climate change.

Lee Krasner

Lee Krasner: Living Color exhibition at Barbican Art Gallery on May 29, 2019 in London, England. Photo Courtesy: Tristan Fewings/Getty Images for Barbican Fine art Gallery

Lee Krasner was an Abstract Expressionist painter who also specialized in collaging. Her works capture a spirit of relentless reinvention, from her Cubist drawings and assemblage to her portraits and murals for the Works Progress Administration (WPA).

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